Catie is a 2018 ThoughtWorks Arts Resident, under the theme "Mechanical and Movement: Robotics". More about her residency can be found here and more about the piece can be found here. She is currently collaborating with ThoughtWorks developers and the Consortium for Research and Robotics staff to create OUTPUT, a new live performance work and software tool.
It made me think of you. A memory blinks to the surface, monopolizing our attention and forcing a reconciliation between then and now. What made it so? Is movement, with and in observance of, the provocateur? Does the moving platform matter? Do I experience the memory more fully by moving?
OUTPUT includes elements of dance, video, light painting/manipulation, motion capture, and 3D animation. The ABB IRB 6700 robot named Wen is used throughout the piece, as a method of sourcing movement and character. CONCAT is a new tool, built for this project, in order to visualize various moving bodies in portable interfaces. The CONCAT tool was programmed in openFrameworks, using data from the Microsoft Kinect Visual Studio and HAL.
time to compile
Amy LaViers, Assistant Professor of Mechnical Engineering at the University of Illinois, Urbana Champaign, invited Catie to be an Artist-in-Residence at her Robotics, Automation, and Dance (RAD) Lab in 2017. Their collaboration has resulted in an artistic work-in-progress, currently titled Time to Compile , as well as research on human robot interaction and entrepreneurial exploration regarding affective, expressive modifications to robots. Catie is now a Research Technician in the RAD Lab as a result of this collaboration.
We live in a world where people exist side by side even when separated by 1000s of miles and a time when data of human individuals is constantly being captured, influencing later unanticipated situations with unknown agents. Today there are more devices than humans connected to the internet. “Time to Compile” (as an artistic piece) is an embodied analog for this Internet of Things where audience members can make sense of this new “place” and this “time”.
The mood of the piece is distant and remote yet sparkly and intriguing. Soft elements like sheets, sex, and skin are used to contrast the hard lines of robots, virtual avatars, and transistors. Active, mobile lighting elements cast shadows of both human and robot performers, delineating another world on stage.
Catie created the narrative, structure, and overall design of the piece. She programmed the various robots' movement sequences, dialogue, and responsive patterns in Choreographe and MATLAB/ROS. She wrote the human dialogue and choreographed the human movement. She co-programmed the technical aspects of the interactive installation with graduate student Ishaan Pakrasi and undergraduate student Novoneel Chakraborty. She filmed and edited each video.
Publications resulting from this work are linked below.
ICRA Robots & Art Forum paper: Time to Compile: Compliance Between Artistic Inquiry and Research Questions
MDPI Journal paper: Choreographic and Somatic Methods for the Development of Expressive Robotic Systems
Biennial Symposium Conference paper: Time to Compile: An Interactive Art Installation
Catie choreographed Gloaming and edited the sound score with music by Jonny Greenwood. The piece premiered at the Philadelphia Fringe Festival before being shown at National Choreography Month and Four for 4, an evening of performances at the Tank NYC that was fully curated by Catie. She collaborated with illustrator Milan DelVecchio on the costumes.
Byzantium was a piece created by Catie and performed at the Philadelphia Fringe Festival, Brooklyn Dance Festival, and the Pearl at the Actor's Fund Arts Center. Catie created the choreography and composed the sound score, which included recordings from friends and family members reading the W.B. Yates poem, "Sailing to Byzantium".